Recently, I embarked upon a new mission to live awake. That is, to engage in ongoing education (of myself, and then hopefully, for my students) regarding issues in our economy, society and environment. "Sustainability" is the term our world has adopted to coin the trend to improve each of these vital sectors. For each of these systems suffer; not only among my own community in Chicago, but globally as well.
Phrases like "sustainability" and "going green" might unfortunately be apt to serve as reasons for turned heads against these enterprises. I know that, because in the past, these were the exact types of terms I would hear about in social circles, or catch a faint glimpse of in the occasional article, but also never paid much mind to follow up on. This could be due to my (albeit ever maturing) rebellious nature, and a desire to ignore all things media grabbing and seemingly complicated in nature. But I also attribute my ambivalence to just that: the sheer complication of what these issues entail on a community member level.
Going green, as far as I could recently understand, meant paying more mind to recycling, incorporating more LED lights into the household, being mindful toward the amount of energy and water we use at home and a cornucopia of very high-tech, scientific practices that someone on an aspiring freelance writer/part time college teacher's salary could never partake in. Like I own property, or if I did, would I have money to implement a green roof? If only.
But then, several weeks ago, my boyfriend Ian and I visited Nationwide video in Lakeview, for purposes of turning up a new title that might (if we were lucky) assuage our household entertainment thirsts for the evening. We found a couple of winners (the names of which elude me, so maybe they weren't superior winners), and I was pleased. It's always disheartening to leave the video store empty handed, if only because it reminds your cultural craving that a lot of crap film is produced in this world. That or the video store carries a limited selection. Or I simply see more movies than I probably should, as I don't much care for repeat viewings.
But before I checked out, for whatever reason, Food Inc. popped into my mind (it wasn't among the pair we'd selected), and I asked the clerk if the store carried it. The dark-haired, bespectacled and jovial sir looked it up and said they did. Always the compliment to my methods, Ian then graciously retrieved the small tab from where the film lived on the shelves of the section "Documentary/TV Shows" (to signal to future customers the film had been rented). I signed the slip that states I promise to return the selections, we three said our thank yous, exchanged smiles, and Ian and me were homeward bound.
What fun! I thought, as we walked north to the Ravenswood area. I had wanted to see the much talked about film since I attended Michael Pollan's lecture at the Harold Washington Library some years ago (the film is closely correlated with Pollan's work explored through his book, The Omnivore's Dilemma). But little did I know what was in store for me; or that the film would ultimately change my world view. I began to notice this change almost immediately when we arrived home and fired up the DVD. Over the next days, I would observe the change ever more each day as I digested more literature on the subjects explored through the film.
The film, for those who aren't familiar, approaches topics of the U.S. food industry. It delves into the simple, yet not so comfortable question to face: Where the heck does our food really come from? The answers are far less than glamorous. And yet, when you get right down to it, though it can initially be disheartening to learn about the perils of our food economy: that we mistreat animals to produce meat on a mass scale to name one, there is something inherently satisfying about knowing how food A gets from point X to point Y (where Y in this case equals my plate). This film, I would come to find, would set in a motion a quest for me to consider "the truth" behind our food.
Note to the reader: I understand that "truth" is an interpretive concept. Of course I took this material at face value. But believe me when I say that "Food Inc." makes a very compelling argument about the to and fro of American grub.
And so what about all that exactly happened to me--in my mind, and to my senses--in those initial moments of watching the film? It was like my soul was craving a message, and this message was the one to latch upon: Stare your food in the face. Really peer into how our food is processed before reaching our naive little plates.
I don't know about you: I'd rather be disgusted and informed, as opposed to oblivious and not disgusted. That's just me. Awareness is the most beautiful gift in life, even if it can be tough to embrace at first glance.
And more on this upcoming ... In the meantime: Watch Food Inc., and stay informed about what you put in your mouth.
Saturday, August 6, 2011
Thursday, July 28, 2011
The Careering Uncareerer
It's a lot like trying to fit a giant tub of spaghetti into a tupperware that certainly is not big enough to hold these globby contents.
I know. I did it that time. Maybe not with spaghetti. But one night, on a whim when I made macaroni and cheese because I just had to have it, I also ate like seven bites and then said, shit this stuff is rich. But I couldn't waste it because all over the media, I'd see advertisements for renewable energy and greening our economy, and in the distant social buzz, I'd hear things like sustainability, which really I don't know what is, yet I think it must have a tiny, or big, thing to do with all this environment hoopla.
So I decide to go with the distant, foggy green program in my mind and opt for putting the macaroni ('character noodles' I hear is best) into a container for later. Will I actually eat it later? Who cares. But then I riffle through my container cupboard (because I own one of those specifically so should this situation come up), and I realize there are only two containers in this specialty cupboard: one is a tiny itty wee bit of a tub. In fact, this wee plastic cup contraption, once used by the food industry to transport sour cream of some sort, can barely hold half of a lemon. That, at least I can imagine going in there.
But this galactic portion of macaroni? Not a chance. And on with the riffling through to the other object: a container which was to once hold sour cream as well. Curious. Do I cook often with sour cream? In any case, same sour cream. Bigger container. Still, that mac and cheese character variety ain't going in there.
And there we are. But what's like this? I told you something was like this. Becoming a careering uncareerer. It's like being those contents of enriched flour shapes and cheese powder cream, and not being able to fit in the erstwhile sour cream tub. I want to. Fit, I mean. Because it would prove secure in there, safe from the microbes in the air (though they would find a way in), from the light of the refrigerator, from the garbage disposal or compost pile or dog jaws or whatever.
In there, I could make a living. A living as dead, used, aging macaroni. But at least I'd have a function. If disposed of, I wouldn't really get that, right?
I'm telling you that making a career out of being uncareerable feels like this excess macaroni must feel looking at the container of air, knowing it can't all go in there, despite its unyielding desire (to fit). Painstakingly searching all those search engines (Google typically suffices) and landing on countless job sites and thrusting what would be--save this wannabe sustainable economy, and the invention of emailable CVs--piles of resumes out into cyberspace. Crossing fingers with secret prayers for a response, yet knowing deep within that response will likely evade delivering to any of the players from my media gadget repertoire.
Or maybe this is what it's like to be a writer. Or like that green-going economy, of the wannabe variety. Stuffing a 32-oz box of prepared mac n cheese contents into a 16-oz cup. To be fair, I'm not sure how many ounces are in a prototype of mac n cheese. This, friends, is the mark of a proper lazy journalist. Would I deserve a fellowship of some sort, in that trade? I'm pretty sure McGee and Snee foundation would want a lazy journalist. A careering uncareerer.
You shouldn't wrap your head around it too tightly. To be sure, the careering uncareerer is a lot like macaroni and cheese and a comparatively microscopic sour cream container.
I know. I did it that time. Maybe not with spaghetti. But one night, on a whim when I made macaroni and cheese because I just had to have it, I also ate like seven bites and then said, shit this stuff is rich. But I couldn't waste it because all over the media, I'd see advertisements for renewable energy and greening our economy, and in the distant social buzz, I'd hear things like sustainability, which really I don't know what is, yet I think it must have a tiny, or big, thing to do with all this environment hoopla.
So I decide to go with the distant, foggy green program in my mind and opt for putting the macaroni ('character noodles' I hear is best) into a container for later. Will I actually eat it later? Who cares. But then I riffle through my container cupboard (because I own one of those specifically so should this situation come up), and I realize there are only two containers in this specialty cupboard: one is a tiny itty wee bit of a tub. In fact, this wee plastic cup contraption, once used by the food industry to transport sour cream of some sort, can barely hold half of a lemon. That, at least I can imagine going in there.
But this galactic portion of macaroni? Not a chance. And on with the riffling through to the other object: a container which was to once hold sour cream as well. Curious. Do I cook often with sour cream? In any case, same sour cream. Bigger container. Still, that mac and cheese character variety ain't going in there.
And there we are. But what's like this? I told you something was like this. Becoming a careering uncareerer. It's like being those contents of enriched flour shapes and cheese powder cream, and not being able to fit in the erstwhile sour cream tub. I want to. Fit, I mean. Because it would prove secure in there, safe from the microbes in the air (though they would find a way in), from the light of the refrigerator, from the garbage disposal or compost pile or dog jaws or whatever.
In there, I could make a living. A living as dead, used, aging macaroni. But at least I'd have a function. If disposed of, I wouldn't really get that, right?
I'm telling you that making a career out of being uncareerable feels like this excess macaroni must feel looking at the container of air, knowing it can't all go in there, despite its unyielding desire (to fit). Painstakingly searching all those search engines (Google typically suffices) and landing on countless job sites and thrusting what would be--save this wannabe sustainable economy, and the invention of emailable CVs--piles of resumes out into cyberspace. Crossing fingers with secret prayers for a response, yet knowing deep within that response will likely evade delivering to any of the players from my media gadget repertoire.
Or maybe this is what it's like to be a writer. Or like that green-going economy, of the wannabe variety. Stuffing a 32-oz box of prepared mac n cheese contents into a 16-oz cup. To be fair, I'm not sure how many ounces are in a prototype of mac n cheese. This, friends, is the mark of a proper lazy journalist. Would I deserve a fellowship of some sort, in that trade? I'm pretty sure McGee and Snee foundation would want a lazy journalist. A careering uncareerer.
You shouldn't wrap your head around it too tightly. To be sure, the careering uncareerer is a lot like macaroni and cheese and a comparatively microscopic sour cream container.
Friday, April 15, 2011
Haiku is Back
1. Me, Wizard
I saved you from death
A fucking wizard! you said
And then you shot me
2. What's With You?
Penguin, what's with you?
You're black and white, and you swim
Penguin, you're funny
3. Vomit
The smell of vomit
I smell it, and I vomit
I feel really sick
4. Cheap Hair
My hair is cheap shit
You look at it, and you lick it
Now I feel dirty
I saved you from death
A fucking wizard! you said
And then you shot me
2. What's With You?
Penguin, what's with you?
You're black and white, and you swim
Penguin, you're funny
3. Vomit
The smell of vomit
I smell it, and I vomit
I feel really sick
4. Cheap Hair
My hair is cheap shit
You look at it, and you lick it
Now I feel dirty
Wednesday, March 2, 2011
Top 5 Ways to Save on Snacks at the Movie Theatre
We all know that in an age where movies at the theatre are no longer just movies, but 3-D spectacle-a-thons, it’s virtually impossible to foot the bill for tickets. After paying for How to Train Your Dragon, you think you’ll have any scratch left for snacks? Forget it. Why not smuggle your own snacks into the theatre? Here’s a list of strategies how to pull it off.
1. Dress loosely. Sorry ladies. This means you can’t wear those pleather, skin-tight trousers. You’ve got to think more along the lines of artsy frock, or cargo dungarees. This way, you can slip that flat box of chocolate covered raisins into the side pockets.
2. Bring a buddy, or better: three. While going to the movies can be a hoot by yourself, lest you yield to the movie choice of a friend who’s got no film taste, you’ll need the extra pocket room. The more friends, the more places, not to mention arms, you’ll have along for stowing away snacks like licorice, chips and peanut butter cups on the sly.
3. Wear a small backpack with a side pocket for water bottles. This is a nice choice for those with a conscience, those who feel better having their “drink” of choice out in the open. Particularly in the city, the backpacker with water bottle is common. Select a dark water bottle or thermos so you can enjoy soda in the theatre.
4. Upon entering the theatre, drape your jacket over your arm; clutch snacks under the jacket. After you gain experience with this, it works like a charm. In warmer weather, no worries: bring a lighter jacket or a button down shirt.
5. Prepare a meal to stow, or pack baked goods carefully into a shopping bag. This works nicely if you select a theatre that sits pretty among a shopping district. No ticket seller is going to think: “Hmm. I wonder what this guy has in that Crate & Barrel bag," will he?
Now, go enjoy the movie-going experience on a dime!
1. Dress loosely. Sorry ladies. This means you can’t wear those pleather, skin-tight trousers. You’ve got to think more along the lines of artsy frock, or cargo dungarees. This way, you can slip that flat box of chocolate covered raisins into the side pockets.
2. Bring a buddy, or better: three. While going to the movies can be a hoot by yourself, lest you yield to the movie choice of a friend who’s got no film taste, you’ll need the extra pocket room. The more friends, the more places, not to mention arms, you’ll have along for stowing away snacks like licorice, chips and peanut butter cups on the sly.
3. Wear a small backpack with a side pocket for water bottles. This is a nice choice for those with a conscience, those who feel better having their “drink” of choice out in the open. Particularly in the city, the backpacker with water bottle is common. Select a dark water bottle or thermos so you can enjoy soda in the theatre.
4. Upon entering the theatre, drape your jacket over your arm; clutch snacks under the jacket. After you gain experience with this, it works like a charm. In warmer weather, no worries: bring a lighter jacket or a button down shirt.
5. Prepare a meal to stow, or pack baked goods carefully into a shopping bag. This works nicely if you select a theatre that sits pretty among a shopping district. No ticket seller is going to think: “Hmm. I wonder what this guy has in that Crate & Barrel bag," will he?
Now, go enjoy the movie-going experience on a dime!
Saturday, February 26, 2011
rainbow mystery
curious rainbow
you pirouette
upon my window shade
like a pup
yearning to fetch
curious rainbow
you're only vapor and dust
yet
you see, like a friend
and you emanate
like the light bulbs that
exploded
when my father
blew a fuse
at Christmastime
lemonade pours upon ice
and I am gone
mother's happy pecks
upon my dirtied head
but when I return
curious rainbow
you too have vanished
you pirouette
upon my window shade
like a pup
yearning to fetch
curious rainbow
you're only vapor and dust
yet
you see, like a friend
and you emanate
like the light bulbs that
exploded
when my father
blew a fuse
at Christmastime
lemonade pours upon ice
and I am gone
mother's happy pecks
upon my dirtied head
but when I return
curious rainbow
you too have vanished
talk
listen about the jet stream
of flight
heard overhead
whilst below a sparkly unicorn
spoke with a triceratops
prattling, were they
under a canopy of verdant
leaves high above
yet
close upon
the maniacal waterfalls
and
misty hydrogen kisses
water drops danced upon
triceratops'
one and only horn
when the genius unicorn
comrade said
Harry
you've traveled in time
of flight
heard overhead
whilst below a sparkly unicorn
spoke with a triceratops
prattling, were they
under a canopy of verdant
leaves high above
yet
close upon
the maniacal waterfalls
and
misty hydrogen kisses
water drops danced upon
triceratops'
one and only horn
when the genius unicorn
comrade said
Harry
you've traveled in time
Hunger
There once lived a beast
Who hungered for a bone
I cannot sleep
The little beast thought
He tossed
And turned
He lounged around
His home
He did not excite over a walk
Over a squirrel
When his master said
What’s wrong, sport?
The little beast placed his head
Upon his paws
And sighed
One day, a young woman appeared
In the doorway
The master looked at her
And then at the little beast
And she looked at the master
And then at the little beast
Honey, perhaps he wants a bone
She said
The little beast perked his ears
And his head came off his paws
A bone? It has to be!
The master said
Beast went hungry no more
The end
Who hungered for a bone
I cannot sleep
The little beast thought
He tossed
And turned
He lounged around
His home
He did not excite over a walk
Over a squirrel
When his master said
What’s wrong, sport?
The little beast placed his head
Upon his paws
And sighed
One day, a young woman appeared
In the doorway
The master looked at her
And then at the little beast
And she looked at the master
And then at the little beast
Honey, perhaps he wants a bone
She said
The little beast perked his ears
And his head came off his paws
A bone? It has to be!
The master said
Beast went hungry no more
The end
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